Tykal's Vinyl Rips

Mi Likkle Tin Pyan Sound (Essay & New Skool Jungle Mix)

2010-09-01T05:23:00.000-07:00

I hesitate over how to begin this personal essay, not because my relationship with new skool jungle has been one of the love/hate variety – it has certainly seen lots of love and very little animosity – but because there arise a jumble of emotions when I turn my attention toward it, and the relationship has been one of ups and downs, and one that currently seems to spend most of its time in hibernation, though hibernations, in my experience, are often periods of preparatory dormancy after which a new growth pokes its head through the ground and reveals the creative transformations that were happening within, unbeknownst to their host, all along.

It began, I suppose, when I joined a yahoogroups list called the ‘ragga-jungle' list, where a group of fellow enthusiasts for old skool, 94-95 style jungle, gabbed away, traded ancient white label secrets, and generally came together to feed off of one another and collectively come up with new and inventive ways to resurrect and evolve the music we loved.

A few years later, the owner of that list decided to put it to rest, but the momentum it generated was not of a mind to follow the same fate, so a man who goes by the moniker of Rhygin picked up the torch and decided to turn it into a website, a site that quickly became and remains one of the foremost sites for new skool jungle on the internet. One of Rhygin's right hand men, The Archangel, is largely responsible for the continuance of that momentum, and is the one who attends to the majority of the troll-policing dirty work. If you're new to the music, or are familiar with the music but haven’t encountered the site, I suggest you give it a gander, though be duly warned, it can be an addiction easily succumbed to, and one from which it can be very difficult to extract yourself: www.ragga-jungle.com.

The site, if I recall correctly, started in 2002, and what happened shortly thereafter was nothing less than a microcosmic explosion of the rave scene that had sprung into existence ten years earlier in the United Kingdom, primarily in England. In quick succession, alliances were formed, crews were born, producers found their calling and, all of a sudden, labels were spun from the blunt-induced thoughts of legacy, dubplates were trading to and fro, junglettes were winding their big and little bottoms, the excitement was catching like wildfire in a Kansas corn field and, in 2003, North American jungle culture found itself teeming and thriving.

At the time, I was a rather outspoken and passionate virtual presence, and by dint of being so, I had the good fortune of making the acquaintance of and developing friendships with many of the major and minor players in the scene, enthusiastically collaborating with them to push this nebulous field of energy out in as many directions as possible – connecting artists with label owners, DJs with promoters, and most importantly, junglists with tunes they hadn't heard before. One of my guiding principles in my involvement was to try to be a kind and generous influence upon whomever I met (which isn't to say I didn't have my own share of heated conversations), so when the alliances began to erect their walls, and the territorial marking and subsequent bickering began, I, for the most part, maintained a friendly correspondence with at least one artist in each of the presiding camps.

At this point, I felt I was in a position to do something unique, both in terms of benefiting the community and leaving my mark on the history of the music. Two of my closest friends from college also had more than a marginal interest in the genre, one of them being a stellar jungle DJ and producer and, incidentally, the very man who had introduced me to jungle, so we decided to form our own label to help spread the art to a wider public, with the intention of releasing tunes from established artists and the moles of the underground alike, regardless of their affiliations, and focusing solely on the artistic merit of each piece of work. Thus was born 'Trinity Don Recordings.'

One of my partners had an acquaintance who was affiliated with a man that owned a pressing plant, so we utilized that resource to press our first record, which featured North Carolinian, The Archangel, and Canadian, Debaser, two of the leading representatives from each side of the North American divide, though we didn't give it any such thought at the time. As anyone who has pressed a record has probably experienced for themselves, we were plagued by unforeseen delays, and in the middle of the process, the guy who owned the pressing plant ended up closing shop and funneling his unfinished business to another plant in Canada, without, I might add, notifying his customers. To take the cake, he then left the country one night without paying the owner of the new plant the remainder of the money he had already collected for the pressings he asked her to finish. Luckily, we had only paid half the cost up front, and after some very frank and cordial conversations with the owner, she agreed to finish our project, for which the master plate had already been cut, for the second half of the previously negotiated cost – a rather unusual act of charity for a business owner from my perspective, and one which I think represents the general spirit of the movement. Unfortunately, the mastering hadn't been very well done, and as a result the records didn't live up to their promises of glory, but I still feel a mixture of humility and pride holding one in my hands, and hope that despite the less than ideal sound quality, they helped many a raver brock out in the wee hours of some dark, nameless hole in the wall.

Our second release was scheduled to feature emerging breakcore god, Enduser, and one of my favorite rising stars from my home state, Illicit, and the third to feature a still underrated talent from Germany, D.I.S., and the two heavyweights behind Mos Hi Recordings, Sumone and Jahba. After that, there were plans to add Ohioan 9mm to the roster, as well as Sixteenarmedjack, Taktik from New Zealand, Ripclaw from the Czech Republic, and a slew of others whose names begin to grow fuzzy when I try to probe that particular lobe of memory...our hopes were grand and our intentions were to achieve something along the scale of Suburban Base Recordings, but sadly the first record suffered abysmal sales, and after not being able to shift 500 units within two years, and under the resultant weight of waning interest, the label slowly fizzled out and that second release never came to fruition.

I wish I could say that the movement enjoyed a better fate, and that it was still as strong or even stronger today than in those formative years, but as occurred across the pond around 1996, the watering holes began drying up in 2006, the drama of warring vital organs poisoned the beast from within, and the new skool jungle culture took, not a major hit, but many minor ones that altogether cost it more than I think anyone can say.

Four years later, though largely a shadow of its former self, the culture is still alive, there's no doubt about that – the diehards and constant influx of newcomers and departure of wagonriders ensure its survival – but many of the artists and enthusiasts who were such a driving force behind the times have moved on to other styles and genres (myself included), the current state of the global economy has made releasing vinyl a more difficult flag to wave, and, to state an opinion that my instincts tell me I shouldn’t, I sense a lack of cohesiveness in the current scene than that which I felt in its earlier climate, a burning of disparate fires whose light reaches one another, but whose flames do not meet and light the night anew as though we with our hearts and heads together could make of ourselves a second sun.

This may not be a story where all ends well and every junglist finds his ideal junglette and they ride off into musical bliss, but I will end the tale on a positive note, a note of gratitude for the impact the experience has had and still has on my life – the direct insights into the creative abilities people can have and draw upon when they harbor a genuine love for their art and its audience, the opportunity to witness firsthand the ways in which small, homegrown communities can prosper and falter, and most importantly, the friendships it has allowed me to forge and lose and rebuild along the way.

And then, at the end of the day, when even those close-knit relationships fall away, we still have the relics of what happened to hold between our ears, both the painstakingly wrought and half-assedly slapped-together physical and digital objects of all that chaotic outpouring of emotion, the reason we congregated and did what we did and made our beds and laid in them: tunes, records, compact discs, mp3s – in a word, music, that aural angel of beauty whose song we love to use as fodder, as the precious and priceless key to our enjoyment of life as sensitive human beings endowed with the gift of hearing.

And when we enter one of our modes of reminiscence, wonderful things may happen; a microcosm of the microcosm might even make itself into a mix. And if, after you finish the mix and put your ear to the ground, you hear a small but steady murmur all too hauntingly familiar, you can lift up your head and nod and smile that smile that says you know it could all very well happen again, and that, if the notion of a ten year cycle holds any water, 2012 is just around the proverbial corner.

~

Rather than following my usual write-up format, I thought I'd try something different for this mix and say a little bit about each artist and/or tune since I happen to have met or known something about the majority of the ones included. Before I amble down that path though, I'd like to say a little about the ideology behind the mix, which as often happens with my ventures, has now turned into a series of new skool mixes, lest it feel an incomplete representation of the picture I'd like to proffer.

When I began gathering the tunes for it together, I simply meant to weave a few of my favorites from the era, but I soon sensed something larger taking shape, and subsequently came to realize it would take a good three or four mixes for me to feel content in letting the momentum generated come to a natural state of rest. Of those four, two will focus on ragga-jungle (of which this is the first), one will focus on non-ragga new skool, and the last will feature tunes that were in some way related to what I had hoped would become of 'Trinity Don Recorings.'

Looking back over the tracklist for the first mix, I noticed another pattern had asserted itself, though it wasn't intended at the time, in that there's nary a Canadian in sight on the first installment, whereas the tunes I've lined up for the second are, for the most part, all from members of the Maple Guard. And as one who likes to use nature's geometry as a springboard for his ruminations, this locale-driven pattern seemed as good a reason as any for stringing together a loose, metaphorical map of what I like to call old skool new skool.

Tykal - Mi Likkle Tin Pyan Sound

http://rapidshare.com/files/416318626/Tykal_-_Mi_Likkle_Tin_Pyan_Sound.mp3
mirror: http://www.megaupload.com/?d=V2ARGCT9

01 (0:00:00) Anima Sound System - From the A to the Z - Capitol - 2003
02 (0:03:58) Alk-E-D - Shine On Me (Remix) - Knite Force Again - 2003
03 (0:07:57) Illicit - Ain't No Sunshine - Ruffah Ras - 2006
04 (0:09:56) Sub, Erb & Kaos - So Much Trouble - 2002
05 (0:12:04) Baby Demo - Into the Jungle (Never Look Back) - Unreleased
06 (0:15:21) D.I.S. - Raggagangster - Unreleased
07 (0:18:59) Scottfro & Stada - Clean Living - Survival Story - 2007
08 (0:23:22) Herb LF ft. Sizzla - Taking Over (Jungle Remix) - Jungle Warriors - 2002
09 (0:27:06) Soundmurderer & Sk-1 ft. Wayne Lonesome - Whowanseekwar (Rewind Mix) - shockout - 2003
10 (0:31:39) Hattrixx - Heads Burst Rewind - Unreleased
11 (0:35:05) Lo-Key - Test the Champion - Lockdown - 2002
12 (0:38:25) EOSS - Wacko Macko Is Backo (DJ C's Babylon A Fall Mix) - Mashit - 2004
13 (0:42:32) Tuffist - Makesound - Unreleased
14 (0:46:17) Human - 'Murda' - Unreleased
15 (0:49:33) [Boss Daddy] Banger - Big Brown Eye - Unreleased
16 (0:52:25) Criminal Sound - Soundboys on the Floor - Unreleased
17 (0:55:27) Sumone - Summertime Bad Bwoy - Sprengstoff - 2005
18 (0:59:33) The Enemy - The Reign - 2003
19 (1:03:49) Nkogliaz - Serious - Unreleased
20 (1:06:40) Ripclaw - Runaway (Jungle Chainsaw Massacre VIP Mix) - Mos Hi - 2005
21 (1:10:27) 9mm & Paulie Walnuts - Money Well Spent - Unreleased
22 (1:13:29) Jacky Murda & RCola ft. Bass Nacho - Don't Wanna Run Up Inna Dat - Chopstick - 2003

01 Anima Sound System – We get started, not in the U.S., but in Hungary of all places, with a group that dabbles in an interesting blend of Hungarian folk and various styles of electronic music. I hadn't encountered them or this tune until a year or so ago, and I've never heard anyone else play it, but it's an extremely well executed example of what was happening in North America at the time it was released (2003), and makes me wonder what, if any, influence the movement had on them.

02 Alk-E-D – For the second tune, we stay on the other side of the Atlantic before skipping stateside, this time heading over to the Motherland, England, for a 2003 remix of a 1994 tune on the behemoth of a label, Kniteforce. I may be off-base, but I sense a hardcore breaks influence here, a movement which was burgeoning alongside new skool jungle amongst the 92-93 hardcore lovers in the UK. An O.G. at the controls, General Levy on the vox, and one bam-diddley of a bassline – need I say more?

03 Illicit – Kicking off the U.S. leg of the trip, we begin where I began, in my home state of Florida, with one of the more recent tunes on the mix. I fell in love with this guy's work from day one, and had hoped to release his tune 'Inspire' on my second release. That never happened, but fortunately other label owners (including himself) recognized that this was a talent that needed some airtime, and he's got more than a handful of releases to choose from: http://www.discogs.com/artist/Illicit+%283%29

04 Sub, Erb & Kaos – I don't know anything about these guys, or where they're from, but alongside the labels that were created for the distinct purpose of releasing NSJ (new skool jungle), several labels from the mainstream DnB circuit cashed in on the movement and released a record or two in the style. This seemed a promising bridge between the two, but the rift never quite closed, and I don't think it ever will. Nevertheless, some pretty great tunes came out of the cross-pollination, and this I would say is one of the better examples.

05 Baby Demo aka Babylon Demolitionist – Heading over to the pacific northwest, Seattle in particular, and in stark contrast to the guys above, I could say a lot about this guy, but I think he'll appreciate the simplicity of saying he's a mountain, inside and out, and one well worth climbing if you ever get an itch to delve into the Rasta side of the movement. I also realized while making the mix just how much attention he pays to the structure of his tunes, and in a land where mixable intros and outros seem to be a near mythical creature, this one's a deejay's wet dream.

06 D.I.S. – Taking a break from the U.S. circuit, we jump over the pond to Germany for one of the more irie tunes on the mix, featuring another artist whose work I've admired since the beginning and which I hoped to make part of my stable. Unfortunately not many of his tunes have seen the dark of vinyl, but if I had to pick a top 5 of NSJ artists, as a good guy with a good heart and great tunes, he would invariably be among them.

07 Scottfro & Stada – The only honorary Canadian on the mix, but a midwesterner by trade and one of the few I was fortunate enough to meet in person, Scottfro's another guy whose personality I sensed a natural affinity with, and whose production seemed wholly a product of his own creation rather than a borrowing of the influences around him - not that borrowing's a bad thing in a sample based music – but it takes a special person to blaze their own trail, and he's one of the few to have done it and done it well. Stada I saw perform in various constellations, first at the infamous Trilogy vs. JPK battle, and he never failed to rock the mic and always bought an upbeat, positive vibe to the dance that I for one appreciated, and which makes a good pairing with the energy of the producer on this fare.

08 Herb LF ft. Sizzla – Back over to Germany, here's a one-off that padded many a NSJ deejay's record bag in the mid 2000s. I don't know about other forms of electronic music, but white labels and obscure one-offs seem to have a special place in jungle, and this is one that deserves a permanent place in one’s rotation.

09 Soundmurderer & SK-1 – A Detroit dynamo, this duo does what the former’s name implies: murder. Most of the guys on this mix I would say are more on the underground side of NSJ, but these guys are far from it. One's an ex-owner of a DnB shop and has releases on Rephlex and Planet Mu, and the other is none other than Ghostly International star Dabrye. Their first and second releases are holy grails to many NSJ collectors, and have been known to easily fetch upwards of $100 on the open market.

10 Hattrixx – Keeping up the game of continental hop-scotch before we embark on an extended tour of the U.S., the series simply wouldn't be complete without this tune. A semi-yearly ragga-jungle.com production competition was instituted at one point, and this UK based master-producer stepped up out of nowhere and cleaned house. Then he came back the next year and did it again. I don't think he had much other involvement in the scene, but as good as those two efforts were, he didn't need to. He offers his services to others who'd like to fine-tune their production techniques, or who want to go into the studio with him, at any skill level, and make a tune. If I were ever in his neck of the woods and had the spare cash, I'd take him up on it: http://www.hattrixx.co.uk/

11 Lo-Key – Now that I think of it, this guy may be Canadian, and throw my whole scheme into the pit, but until recently I thought he was from the U.S., based on a conversation I had with Jacky Murda, who played a hand in making the record. Lo-Key only had two releases, and they both rank among the more highly sought after rarities from the early days of the scene. Last I heard he was somewhere in Hawaii, leaving his jungle past behind him. That may be wrong, but in any case, I remember the way my ears perked up when I first heard this on the radio, dialed up the studio, and scampered my ass down to Breakbeat Science to pick up a copy, and knowing how quickly it flew off the shelves (they were all gone a week later), I'm surely glad I did.

12 DJ C – Living in New York City, I didn't have much exposure to the Boston scene, but DJ C and his Mash It label made an impression on me ever since I went to the first record's release party (at which Soundmurderer killed it), so much so that I've kept close tabs on him and it ever since. He's another guy that, like Scottfro, wasn't afraid to bushwhack, and who, under his EOSS moniker, has been making experimental jungle in the U.S. since the mid-late 1990s.

13 Tuffist – Returning to my home base of NYC, Tuffist, alongside his longtime partner Human? (aka Pinnacle), was one of the key players responsible for my taking such a shine to ragga. I was never much of a party-going socialite, but I spent many a Monday evenings at Konkrete Jungle nodding my head to their selections, and many more smoke-filled nights blasting their tapes in Spanish Harlem. If memory serves me well, he's since migrated to Spain, and become part of the Chopstick Dubplate crew, but I'll always remember how he, as part of the Survival Crew, got my feet to dance despite my brain insisting otherwise.

14 Human? – Another NYC native, this one's tricky. Human's a hell of an MC, brings some of the most intense energy I've ever seen brought to the dance, and loves all things jungle (including the music from which it was born) so fiercely that I'd call him one of its most loyal ambassadors. He's also a damn good DJ and producer and is one of the few people I've met who can speak so passionately it’s all too easy to let him lead you into his world. And yet he's also the person with whom I've probably butted virtual heads the most, I guess in part because we both put so much of ourselves into our positions. We may not always have seen eye to eye online, but I always had a cordial, enjoyable experience while hanging out with him in person, and I'm a believer that one strong mind could often use another to keep it on its toes.

15 [Boss Daddy] Banger – An NYC transplant by way of Cleveland, Banger [dubbed Boss Daddy by yours truly], aka DJ Epic, is one of my closest friends and confidants and, as luck would have it, one of the most skilled jungle deejays I've ever seen work his magic at the decks. I probably wouldn't be into jungle if it weren't for him, and I certainly wouldn't have as keen or demanding an ear if it weren't for the countless hours we spent plowing our way through everything jungle had to offer. This one could easily be an essay in itself, but saving that for later, I'll just say that my experiences with him at Columbia University, The Urban Jungle Show on WKCR (89.9FM), and forming Trinity Don Recordings, are three of the highlights of my life for which I am utterly grateful.

16 Criminal Sound – Riding the rhythm upstate to Buffalo, we make a stop for a producer that I'm surprised didn't get more releases considering how well he infused oldskool elements into the new skool style. He may not have had many releases, but I know his dubplates made the rounds, and based on the always friendly conversations I had with him on soulseek, I bet I'd have spent plenty of time in his company if I had been located a little further north.

17 Sumone – Trekking out to the midwest, where a cluster of crews made a significant impact on the scene, our first stop is Sumone, a producer from Indiana who has since made quite a name for himself in the drumfunk world, and who I was fortunate enough to watch develop throughout various stages of his career. Alongside his partner Jahba, and some members of Illacrew from Colorado, he was part of the group behind Mos-Hi Recordings, and had a string of excellent ragga and non-ragga releases on the labels Jungle X, Mos-Hi, Sprengstoff, Zion's Gate, Mash and Black Track.

18 The Enemy – I know next to nothing about this guy except that he's part of the darkside DnB crew Evol Intent and that he hails from Atlanta, Georgia. One of those rare new skool gems released on otherwise DnB-oriented labels.

19 Nkogliaz – An Ohioan genius, unless you were a frequent visitor to the soulseek ragga jungle room during the heyday of NSJ, it's unlikely that this guy was on your radar, but he should have been, as he's one of the most technically skilled producers out there. Apart from the tempo, I'd hesitate to even classify his tunes as new skool, because they're just that good, and all you need to say about them is what they are, kick-ass jungle, plain and simple.

20 Ripclaw – Nearing the home stretch, we make a stop in the Czech Republic to visit Ripclaw, a name every self-respecting new skool junglist should be familiar with, a guy infamous for his rat-a-tat-tat staccato drumwork. He’s another one I would have liked to feature on Trinity Don, but luckily my favorite tune of his was picked up by Jahba for Mos-Hi and wasn’t denied the listening public, and thus he earns a spot as an honorary midwesterner since the label this tune appears on was based there.

21 9mm & Paulie Walnuts – Keeping it Ohio before the final uppercut, we have 9mm, generally a lone-wolf, and one half of Mad Dem Sound, Paulie Walnuts, both of whose beats were known to bash a soundboy to a lengthy dirt-nap. A short and sweet tune featuring some catchy soundclash vocals, and drumwork as heavy as your grandma’s Thanksgiving gravy.

22 Jacky Murda & RCola ft. Bass Nacho – Our final destination is back home, NYC, where Chopstick Dubplate had its base (in Brooklyn) during the majority of NSJ’s popularity. To be honest, I’m not much of a fan of their catalogue, but I can’t deny their dedication and output, and if nothing else, am forever indebted to them for making and releasing this tune, my personal pick as one of the anthems of the era, featuring one of the most inventive jungle MCs ever to grace the microphone.

~

I’ll start working on the next installment sometime in the next few days. It generally takes me a few weeks to a month to finish a mix, so you can expect it sometime around then. It’ll mostly feature the Canadians, and some of the more popular new skool artists like 16aj, Rhygin, Debaser, Tester etc.

On a parting note, while thinking over the experience some more, I’ve realized what a glaring lack of documentation there is on what happened with this music, so if any other of the people who were involved in it would like to write up their take on the movement, and need assistance doing so, I’d be glad to offer my editorial services for free. Who knows, there might even be a book in the making…

Smart Beats Vol. 1 - X-Sight 73016-2

2010-06-18T10:37:00.000-07:00

Next up we have an obscure U.S. jungle compilation from the year when jungle was writhing under the excruciating agony of minimal, techy drum n bass: 1997. Despite the unfortunate year of its release, this is, to draw from its title, a rather "smart" collection of tunes from U.S. producers, most of which (perhaps all) resided in New York. There is a bit of the blechy influence on the tunes from High Jinx, Money Grip, Toxic 220 and Tom Grim/Gruv 42, but the three artists that most listeners are probably familiar with --Odi, Datcyde and Soul Slinger-- are clearly at the top of their game here, and the first two take us not only out of the garbage, but into some of best examples of amen-oriented, monster-bass tunes ever to come out of the Stars and Stripes. In particular, Odi and Datcyde are trading punch for punch, and following the bout, I'd be hard pressed to declare a clear winner. After the heavy hitting, Soul Slinger slows it down with some outerdelic trip-hop a la DJ Wally. Most of the unknown guys don't appear to have done much; Toxic 220 has a single release on the Sugar Spliff label, and Gruv 42 has a few trance/breaks releases for the label Don't Panic, but other than that I don't find any mention of them on discogs. Whatever the case, it makes me wonder what else the New York Dons did in this vein that never saw the dark of vinyl, and prompts me to add my list of mixes to make an Odi vs Datcyde mix, and just like this, that's gonna be one tough cookie to crumble.

VA_-_Smart_Beats_Vol.1_[X-Sight_73016-2]

http://www.discogs.com/Various-Smart-Beats-Vol-1/release/463766

01 High Jinx - Postfinalcrash.mp3
02 Datcyde - Solice.mp3
03 Toxic 220 - Toxic 220.mp3
04 Money Grip - Mega Blast.mp3
05 DJ Odi - All Fucked Up.mp3
06 Gruv 42 & Tom Grim - The Judge.mp3
07 Datcyde - Kindred.mp3
08 DJ Odi - No Reason.mp3
09 Toxic 220 - Basemental.mp3
10 DJ Odi - Days Alone.mp3
11 DJ Soul Slinger - The Brain.mp3

http://rapidshare.com/files/400444080/VA_-_Smart_Beats__X-Sight_73016-2_.rar.html

Dubtronix - Interfaze LP - Q Dance (QRLP003)

2010-06-11T11:16:00.000-07:00

Pumping some life-blood back into this sleeping beauty, today we have one of the lesser known albums by the duo Dubtronix, which, according to discogs, consists on this outing of the producers G.E. Real and Ninj. That leads me into a bit of confusion, because Dubtronix, from what I can gather, is generally composed of Jeremy Sylvester, aka Darkus, and his father, Charles Sylvester, who had his heyday in the mid-70s as part of the disco-funk band J.A.L.N, and who I would take a stab at pinning down as Ninj (this would explain Ninj's experimental jungle album with jazz guitarist Derek Bailey and his work with avant-bassist Bill Laswell).

It could very well be that G.E. Real and Darkus are in fact J. Sylvester, but until I come across some confirmation, I'm hesitant to believe it, for one because Sub Assertive Sounds #2 (CUE2) lists Darkus, GE Real and Ninj as three separate people, as does the first track on Dubtronix - The Extreme Collection, Vol 1.

What I think more likely is that, as track AA2 seems to indicate, this is Darkus and Ninj, the only father and son duo I'm aware of in the oldskool jungle world, though I do recall several oldskool producers whose fathers were musicians and influenced their children to flex their own gift of the ear in turn.

Anyhow, some floaters on here, as well as some amen smashers, but whichever side of the fence you tend to play on, there's well-executed examples of each. My pick: Contradiction, an amen-heavy, piano-riffing, stab-slick slice of 94 jungle the way it was meant to be heard.

http://www.discogs.com/Dubtronix-Interfaze-LP/release/497887

A1 My Fantasy
A2 Sensation
A3 Snare Time
A4 Interfaze
AA1 Pass Me A Dubplate
AA2 Ninj & Darkus
AA3 Contradiction
AA4 Feel

http://rapidshare.com/files/397830090/Dubtronix_-_Interfaze_LP_-_QDance_003.rar

Tykal's Vinyl Rips – February 28th, 2010

2010-02-28T10:28:00.000-08:00

Tykal's Vinyl Rips – February 28th, 2010

I've decided to preserve my entire collection in digital format, so going forward this blog will mirror the developments of that project. I'll be doing full rips rather than just my favourite tunes, and will venture into territory you might not expect from what I've uploaded thus far. I'll also be re-ripping everything previously upped in an attempt to standardize sound quality. I'll stick to 320s on here, but if any particular tune or record makes your ginie tingle, send me a creatively worded request and I just might be persuaded to hand over the wavs.

For now, we have two new skool ragga bangers from the early days of the revival, the first featuring Cali don R.A.W., and the second featuring Florida funkmeister Jeffee (working under the pseudonym F3). Then we have New York's Datcyde shredding the matrix with Oh Gosh, and oh do I not jest when I say it gushes proper. Then a couple of my favorite old skool joints: Brothers by Fourth World on Ignition Musik and the elusive “Night Moves” on Jungle Splash.

I have a mint condition double of the F3 tune and am open to offers if anyone's black crack habit says they have to have it.

Lastly, if you have any really rare or obscure jungle you think I might like to hear, please let me know, I love to partake of rip-fest exchanges.

R.A.W. - One Lightah - Judgment 1.rar

http://www.mediafire.com/?uznmuimdwzz

F3_(Jeffee)_-_Just_Gimme_Di_Rmx_[F3RMX1].mp3

http://www.mediafire.com/?zwjmuwminzy

Datcyde - Oh Gosh! - Taciturn 641258-1.rar

http://www.mediafire.com/?3nue0mzyoku

Fourth World - Saxxx - Ignition Musik 003.rar

http://www.mediafire.com/?5nto5tmon4t

Unknown Artist - Night Moves - Jungle Splash 006.rar

http://www.mediafire.com/?zgwztmt22zm

The End of an Era

2010-02-27T18:30:00.000-08:00

In case anyone's noticed, the "vinyl" rips have been lacking for quite a while a now, mostly because I've been struck by various technological woes at home: I spilled a beer on my primary turntable and it seems doomed to a state of perpetual stupor. Then my desktop died a long overdue death. And when I finally got a comp from the closet running, one of my backup turntable's channels lost its voice. That aside, we're back in business now with a new laptop, an Audio Technica pre-amp and Roland's Cakewalk audio interface, so expect an onslaught of rips to ensue and the sound quality to have drastically improved.

The title of this post refers to the end of my stint on short-term disability. Unfortunately my body's not seeing its best of times and I'm up to about 10 herniated discs and counting. A couple trips to the ER and a series of spikes in pain levels weren't so fun, but a month's worth of workless rest did me good, and so on my last Saturday as a good-for-nothing, I thought I'd give this old donkey of a blog a poke.

http://www.mediafire.com/?sharekey=26bfb0267bb428af391d7d881749d3a7ab4d118dd9ee3d55292b492bd5edc68e

Bizzy B - Dark Souldier - Brain II 003.rar

http://www.mediafire.com/?mtlgyywziwv

DJ Kazimir ft Carol C - Dear Prudence - Smile 9076-0.rar

http://www.mediafire.com/?2zymul2om4t

Real Sportsman & DJ Rusty Dust - Smokin Drum 007R.rar

http://www.mediafire.com/?zfvfo2nmnjg

Takes Two to Tango (All Tango & Fallout Mix)

2010-01-15T10:56:00.000-08:00

To kick off the new year, and to try to whittle down the ever-lengthening list of mixes I hope to notch into my belt, I thought I'd try my hand at another artist profile selection, this time tackling the drumset with dancemaster Tango and, once baked, sprinkling a little sugar over the concoction with his ravetastic missus, DJ Fallout. To be honest, until the last year or so, I hadn't given him or his tunes much more notice than to think of him as he is probably most well known: a darkside hardcore producer who dwelt amongst the ranks of Ratty and threw down some storming sets in the early days of the scene. A slew of releases under his pajamas, he made his first appearance as a remixer on Formation #2, was the star of his own EP on Formation #4, and throughout the early to mid nineties steadily pumped out the wax on labels such as F-Project, Face, Legend, IQ, Creative Wax and Moving Shadow.

After conducting a thorough, long-overdue investigation of the Formation and Moving Shadow back catalogues, I noticed a name kept popping up that I was familiar with, but not enough to say I really knew his work - and what I was hearing of it, I liked, liked so much that even my fussiness could no longer allow me to overlook it. And so, nine months later, here we are, a representative sample of his lesser known jungle work, 45 minutes worth to be exact, much of it tucked away on compilations that don't cross your desk too often, or singles where it's all too easy to forget the name of the man who "remixed that tune." There's the occasional female vocal, a smidgeon of ragga, some stabs, stutter-steps and hip-hop samples, but for the most part, it's jungle pure and simple: clean, powerful bass, soaring pads, searing strings, and some of the rollingest breaks ever to inhabit the black crack.

Special thanks to DJ Nee of Enormous Mouse fame for the remake of the original, unreleased version of Revelations.

Tykal_-_Takes_Two_to_Tango

http://dnbshare.com/download/Tykal_-_Takes_Two_to_Tango.mp3.html
mirror: http://rapidshare.com/files/335778273/Tykal_-_Takes_Two_to_Tango.mp3

01 (00:00) Cloud Nine - Blissful Ignorance (Tango Remix) - Moving Shadow
02 (03:00) The Full SP - Raw Basics (Tango Remix) - Face
03 (06:48) On Remand - Controllin' (Tango Remix) - Underworld Vinyl
04 (08:53) DJ Gwange - Adrenalin (Tango Remix) - Legend
05 (12:18) Fallen Angels - Frequency (Tango Remix) - Creative Wax
06 (15:50) Tango - Revelations (DJ Nee's Remake) - Unreleased
07 (17:59) DJ Fallout - Love Me - Rough Tone
08 (19:49) Tango - Understanding - Moving Shadow
09 (22:34) Tango - War for '94 - IQ
10 (25:56) Tango - Project 1 (Remix) - Formation
11 (29:26) DJ Fallout - Ripper - Rough Tone
12 (31:04) The Committee - Final Conflict (Tango Remix) - Creative Wax
13 (34:48) Tango - Fever - Moving Shadow
14 (38:37) Drum & Bass - Low Down & Funky (Tango Remix) - Formation
15 (40:43) International Rude Boyz - Paragone (Tango VIP Mix) - Formation

PS: That his wife, in my opinion one of the top three female jungle DJs in the world, can hold her own both at the controls and in the lab, seems only natural to me, and needs no other explanation than to say: track down her Storm Warning release on Rough Tone, a couple of her 94/95 mixes floating around the web, and settle down for an evening of jungle the way Gaia intended. I venture you'll be hard pressed to find a better rude nipple to stick into your ear.

PPS: I hope this to be a prolific year and, at the end of it, to have cleared out most of the contents of my file entitled "mixes to make." Here's a list of what's in the works for those who'd like to take a sneak peek into the future: a series of label mixes featuring the jungle of Formation, Moving Shadow, Ibiza and Basement; some single artist mixes featuring Point Blank and Lennie De Ice; a couple "versus" mixes including B.L.I.M vs Loggi, and Simon Templa vs Law & Auder; a country series featuring oldskool from Sweden, Russia, France, The Netherlands, Germany and the USA; another atmospheric amen mix, another happy hardcore mix and another round or two of Jazzgle; Outer Dementias Part 2; a series of Funkgle mixes; a post 2K jungle mix (Equinox, ASC, Nebula etc); a Beyond Jungle mix (Squarepusher, Luke Vibert, Spring Heel Jack etc); and a couple other as yet unnamed selections.

Green Piece - Northern Herbalism - Kiff 003 CD (1996)

2009-10-20T09:11:00.000-07:00

Back with another steinful of jungle from Krautland, this time we head up to Hamburg for a 1996 LP written by the duo Green Piece, which consists of Malte "Waldmeista" Moller and Pari "K.U. Hetsch" Dee, appearing on the Label Kiff, which was active from 1994-2000 and tended to cater more toward the downtempo side of electronic music with releases in such genres as dub, electro, ambient, techno, synth-pop and breaks. The songs range from intelligent, lushly padded, Bukem style tunes to melodic, female vocal, amen-driven rollers. I wouldn't rate every tune very highly on a scale of memorability, but the few standout songs – "B Alone," "R.O.L. Part 1 + 2" and "TUC Mowth" – warrant being dropped in a mix every now and again, and render the rest of the album worth at least an occasional listen. Based on the sampling and the use of breaks atypical to most jungle, I'd say the producers were influenced by the acid and techno scenes present in their day, and that they were aiming at a production style crisscrossing but markedly divergent from that of their British counterparts. After listening through a third time, I'm left with the feeling of looking down a corridor that jungle might have travelled were its trail not fated to have gone cold after the first few footsteps toward a trend that might have been. Still, at least we're left with a dozen choice fossils to admire, and scant as it may seem, there's something to be said for that.
http://www.megaupload.com/?d=GOSVT61V

01_Green_Piece_-_Jungle_Makes_Me_Wonda.mp3
02_Green_Piece_-_B_Alone.mp3
03_Green_Piece_-_Silly_Phaze.mp3
04_Green_Piece_-_Trible_Sinphonee.mp3
05_Green_Piece_-_Tha_DJAM.mp3
06_Green_Piece_-_Myrly_Clyrd.mp3
07_Green_Piece_-_Arounddaworld.mp3
08_Green_Piece_-_R.O.L._Part_1_+_2.mp3
09_Green_Piece_-_Deap_Spayz_Return.mp3
10_Green_Piece_-_Rezonawnz.mp3
11_Green_Piece_-_I_Don't_Know.mp3
12_Green_Piece_-_TUC_Mowth.mp3

VA - Record Factory in the Jungle

2009-08-07T06:14:00.000-07:00

VA - Record Factory in the Jungle

According to the liner notes, these were all produced by Bunny Gemini for Record Factory Recording Studios, located at 46 Hagley Park Road, Kingston 10, Jamaica. This, I guess, would account for why the artist on each track is listed as the vocalist appearing on the track rather than the producer of it. A norm in the reggae world, or most genres for that matter, but not typical of jungle credits. From listening to the tunes, I'd venture to guess that the guy making these normally made dub/riddims, as he uses a lot of one-hits and reggae drum patterns that, to the seasoned jungle ear, might sound a bit odd at first, but after letting it settle a while, I found myself grooving along. Heavy usage of the amen break (make that every tune), both reggae and non-reggae vocal samples, a few atmospherics, even a bit of dred bass - seems like the guy was pretty well versed in the lexicon of jungle. The overall style, in new skool terms, reminds me of what it might sound like if the vibes from Debaser's Jungle Royale project were cross-pollinated with the heavyhanded break-focus of his Press-Up tunes. Anyhow one you don't see too often, and score for me at a brand new sealed $1.34. Ripped through EAC to wav then run through Platinum Notes and compressed to 320.

http://www.megaupload.com/?d=MPGUSFBD

01 Jigsy King - Stay Alive (4:12)
02 Dennis Brown - Attack My Sound (4:25)
03 Admiral Tibet - Weeping & Mourning (4:25)
04 Frankie Paul - Round & Round (5:40)
05 Pluggy Terrible - Flip Up (4:39)
06 Simpleton - 1/4 To 1/2 (5:17)
07 Gregory Isaacs - Off A Mi Fender (4:13)
08 Ninjaman - M 16 (5:05)
09 Conrad Crystal - Kill You Tonight (4:48)
10 Dennis Brown - Sweetest Sound (5:03)

TVR - June 1st 2009

2009-06-03T15:32:00.000-07:00

TVR - June 1st 2009

Three more 94/95 rips to kick off June with. Two amen-heavy records from the labels Renk and Jungle Massive, with funk, ragga and atmospheric influences, and one of the few non-amen releases I enjoy from A Guy Called Gerald's label, Juice Box. For those who enjoy the Dubtronix tunes, check out B9 recordings for more of their work. There was only one other release on Jungle Massive, and it's a damn fine slice of jungle worth hunting down too.

Dubtronix - Renk (12RENKT59)

A_Dubtronix_-_Horny_[Renk59].mp3
AA_Dubtronix_-_Lighter_Massive_[Renk59].mp3

Unknown Artist - Jungle Massive (WOODS001)

A_Unknown_Artist_-_Ninety's_[Jungle_Massive_(WOODS001)].mp3
B_Unknown_Artist_-_Ninety's_[Jungle_Massive_(WOODS001)].mp3

A Guy Called Gerald - Juice Box 20
http://www.mediafire.com/?oiwlmmitzn2

A_A_Guy_Called_Gerald_-_Untitled_[Juice_Box20].mp3
B1_A_Guy_Called_Gerald_-_Untitled_[Juice_Box20].mp3
B2_A_Guy_Called_Gerald_-_Untitled_[Juice_Box20].mp3

End of May Rip-fest

2009-05-29T07:40:00.000-07:00

Tykal's end of May rip-fest: I've been bitten by the bug, in more ways than one. The first being that I have one nasty case of the flu, the two week plus variety, which may or may not come from the snout of swine. The second, and more beneficial to you, being an itch to rip a few records for hour or so after work a couple days per week. Excepting the first tune, all full rips at 320 to help you blast yourself through the sweltering heat of summer.

Tykal's Vinyl Rips - May 19th-21st 2009

Clay_O'Shea_-_Enter_The_Jungle_[Black_Market_International25].mp3
http://www.mediafire.com/download.php?gekgmzujogg

Mind 21 - Mindz - Urban Gorilla (ICE1031).rar
http://www.mediafire.com/file/dmmzwzzdmld/

Reel II Reel ft Michelle Thompson - Jungle for Lovers - Reel II Reel Productions.rar http://www.mediafire.com/download.php?wdvwyzy4zgd

Tykal's Vinyl Rips - May 25th 2009

Cantankerous - Make D'Speakerz Pop - Slammin Wrecx 004.rar
http://www.mediafire.com/download.php?nzvwddynzgz

Jay Parkes & Nerv - Pin High Records (PHJA003).rar
http://www.mediafire.com/download.php?nzznhmwz2ld

Mixrace Productions - Mob Handed 005.rar
http://www.mediafire.com/download.php?zwzmmt2j2xi

Nicky Blackmarket & Formula 7 - Maniacs Volume - Quayside 013.rar
http://www.mediafire.com/download.php?5uj4f2wmzmn

Tom & Tom - Down Force - Deep Red Recordings 002.rar
http://www.mediafire.com/?zwnknianomq

Tykal's Vinyl Rips - May 26th 2009

Detrimental - Booyaka Crew Remixes - Cooking Vinyl (DEBT004).rar
http://www.mediafire.com/file/2zqmzlm5jng/

DJ Buz - No U-Turn 008.rar
http://www.mediafire.com/file/dmjmtfznm4u/

Graham Haynes, Marque Gilmore & Lennie De Ice - Polydor 576 109-1.rar
http://www.mediafire.com/file/cw3hfnzgvmm/

Nostramus - Predictions EP - Recordings of Substance (HEMP4).rar
http://www.mediafire.com/file/zkyzdmmydlt/

Warrior Bass - Future Vinyl 4.rar
http://www.mediafire.com/file/yzn1zlyyqjm/

Tykal's Vinyl Rips - May 27th 2009

Flynn & Flora - Independent Dealers 001.rar
http://www.mediafire.com/file/1zdjnlzottw/

Headhunter & Astralasia - Dubxotic EthnoFunkaDelia - Universal Egg (EGGY19).rar
http://www.mediafire.com/file/zgrg5zhnzgn/

Mind Rise - Inverse 004.rar
http://www.mediafire.com/file/4oyoiuviyym/

Point Blank - One Touch Recordings 004.rar
http://rapidshare.com/files/240525031/Point_Blank_-_One_Touch_Recordings_004.rar

The Brotherhood - Brotherhood Vol 1 - Quayside 16.rar
http://www.mediafire.com/file/nkvitmuij4z/

Indochina

2009-05-26T09:30:00.000-07:00

Indochina

http://www.discogs.com/label/Indochina

From what I can gather on the internet, Indochina was a sub-label of China records, which secured its position in the industry through its best-selling artists Art of Noise, Morcheeba and the Levellers. Indochina was its loosely defined dance music off-shoot that pressed up everything from trip-hop to house to disco to jazzdance to hip-hop to breaks to, in six instances I can find, jungle/drum & bass.

My introduction to the label's jungle efforts was through the "Players (Amen Mix)" on ID036T, which was released in 1995 and has a hip-hop jump-up feel to it. About 5 years later, I took an interest in hunting down the other jungle releases on the label, and have been more than pleasantly surprised at both the diversity and the quality of tunes I've discovered thus far. As I say, I've found six releases, specifically ID030T, ID033T, ID036T, ID043T, ID053T and MOR001, but I've only included the first three here because, I've yet to buy the fourth release, and after having heard the last two, I reluctantly admit they're a little too plain and minimal for my tastes, but what do you expect from Doc Scott, J. Majik and Omni Trio in 96-97.

Despite the latter tunes being wonkypoop, the first three are of a different order. The first, ID030T, is a new and decidedly different take on Summer Breeze, which the readers of this blog would probably be more familiar with as a tune by Bonny and the Highlander. The Band of Gypsies version is a funky melodic non-amen number, and the Team 5 version is a ragga-snippet amen tearout. Casablanca, the third tune on the release, is an orchestral, steppy tune that brings to mind rainbow socked bunnies hopping through a field of poppy seeds. ID033T, quickly becoming my favorite of the bunch, manages to combine jazz and jungle in a manner quite unlike anything I've heard before. Usually a jazzy jungle tune, in my experience, signifies a jungle tune which has very minor influence from jazz or has a sax sample thrown in somewhere or another. Here, the focus seems to be more of an even split, and the producer employs innovative tricks such as throwing in an amen crash on only the fourth beat of a measure. I don't know enough about the technical aspects to go much deeper into it, but for any fellow jazz and jungle enthusiasts out there, I suggest you give this a blast through the headphones. The third, as stated earlier, has a jump-up amen tune that I quite enjoy, an electro-esque stepper, and overall a more steppy techy vibe that would fit in with the direction dnb was heading in late 95-early 96.

According to the promo sheet that came with my copy of the Medusa release, Indochina had planned on setting up a sub-label for future dnb related releases entitled Freebase. This seems to be confirmed by the fact that the cardboard sleeve for that release and the Players release had a Freebase name and logo on them, but they continued to use Indochina catalogue numbers, and I couldn't find anything else on a Freebase label on the internet, so I'm led to believe that the plan went defunct before it ever really took off.

When I get the fourth release, I'll add it here, but for now, I hope you enjoy these three latest offerings from my dusty shelves.

On a side note, for those who like their trip-hop funky, I highly recommend listening to the album Albumen by The Egg on this label. One of the best in that genre I've heard.

Spiral ft Lisa Lamb - Summer Breeze - Indochina 030T.rar http://www.mediafire.com/download.php?tm1iyjmenjj

Medusa - Indochina 033T.rar
http://www.mediafire.com/download.php?c2dtgd0g1i0

The Player, G-Force & Ill's - Indochina 036T.rar
http://www.mediafire.com/?dum40rqtwir

Bassline Generation - Jungle Explorers

2009-05-12T11:05:00.000-07:00

Been after this CD for ages - just got it in the mail yesterday thanks to the user Safarista on ragga-jungle.com.

94/95 style jungle, mostly amen tunes, a couple floaters. You may be familiar with their 12" singles on the labels Siren & Mask, or their releases under the alias Skeleton Rock on Bassface Sascha's Smokin' Drum label.

One of the better examples of the jungle current that swept through Germany during its UK heyday. Expect to see a couple of these on an upcoming mix.

Massive props to the Deutsch massive.

music:

http://www.megaupload.com/?d=SGOYE09H

info:

http://www.discogs.com/Bassline-Generation-Jungle-Explorers/release/504749

Tykal's Vinyl Rips - April 23rd, 2009

2009-04-28T13:09:00.000-07:00

Tykal's Vinyl Rips - April 23rd, 2009

Three more full rips and two single tunes for ya.

Stompin rudebirl funkstep jumpdown smoothglass jungle.

Part 1

http://www.mediafire.com/download.php?wky1jeynzan

A-Darkman_-_Crazy_Life_[Rinse_Out2]
B1-Darkman_-_Dis_Sound_Ruff_[Rinse_Out2]
B2-Darkman_-_I'm_Gonna_Get_You_[Rinse_Out2]

A-Minx_-_Dreamtime_[Mo_Love101].mp3
B1-Minx_-_Dubtime_[Mo_Love101].mp3
B2-Minx_-_Drum_&_Basstime_[Mo_Love101].mp3

Part 2

http://www.mediafire.com/download.php?zjgvioynqmw

A-Bass_Masters_-_Madman_Vibration_[Bass_Masters1].mp3
B-Bass_Masters_-_Ready_To_Die_[Bass_Masters1].mp3

Spoon_Curve_-_Just_Can't_See_(Hopa_Progressive_Mix)_[Quirky1].mp3
Vision_-_Unmistakeable_[FT2].mp3

Tykal's Vinyl Rips - April 8th, 2009

2009-04-09T11:08:00.000-07:00

Tykal's Vinyl Rips - April 8th, 2009

As promised, another batch fresh from the ether. For this one I picked records I wanted to do full rips of (except the mephisto odyssey record). Part 1 includes a rare 95 jungle record with ragga and atmospheric influences, and one of the few dnb records I love to pieces. If anyone has Marineville's Redpath House album and could hook me up, I'd really appreciate it. Part 2 includes an early US jungle tune on a mostly triphop label, and my favorite Bay B Kane release recorded under his alias Rinca. Part 3 heads underground for some Simon Templa of Road Busters fame and Timmi Magic from the Armshouse Crew.

Part 1

http://www.mediafire.com/?0mxedltzdiz

D.B. Hazard - Down In The Jungle Sampler - Nubian (ROAR 01T)

A1-D.B._Hazard_-_Detro-Mental_[Nubian(ROAR01T)].mp3
A2-D.B._Hazard_-_Piano_&_Strings_[Nubian(ROAR01T)].mp3
AA1-D.B._Hazard_-_Down_in_the_Jungle_[Nubian(ROAR01T)].mp3
AA2-D.B._Hazard_-_Bonnie_&_Clyde_[Nubian(ROAR01T)].mp3

Marineville - Universal Egg 020
Marineville_-_Encryption_[Universal_Egg20].mp3
Marineville_-_Revolution_[Universal_Egg20].mp3

Part 2

http://www.mediafire.com/?0zunzm2vxjx

Mephisto Odyssey - City of Angels 77118-1

Mephisto_Odyssey_-_Black_Dhalia_(Trip_Hop_Bonus_Beats)_[CityOfAngels77118-1].mp3
Mephisto_Odyssey_-_Get_Down_(Jungalized)_[CityOfAngels77118-1].mp3

Rinca (Bay B Kane) - Ruff Guidance 008

A1-Rinca_-_This_World_[Ruff_Guidance8].mp3
A2-Rinca_-_This_World_(Bass_Rub_Mix)_[Ruff_Guidance8].mp3
B1-Rinca_-_Murderah_[Ruff_Guidance8].mp3
B2-Rinca_-_Children_of_the_Ghetto_[Ruff_Guidance8].mp3

Part 3

http://www.mediafire.com/?ldojka1ndmn

Simon Templa - Underground Hardware 037

Simon_Templa_-_Baby_Baby_[Underground_Hardware37].mp3
Simon_Templa_-_Summer_Madness_[Underground_Hardware37].mp3

Timmi Magic & PSG - Decibel 002

Timmi_Magic_&_PSG_-_Tell_Me_[Decibel2].mp3
Timmi_Magic_&_PSG_-_Tell_Me_(Why_Mix)_[Decibel2].mp3
Timmi_Magic_&_PSG_-_Tell_Me_(Light_Mix)_[Decibel2].mp3

Tykal's Vinyl Rips - April 7th, 2009

2009-04-08T07:24:00.000-07:00

Tykal's Vinyl Rips - April 7th, 2009

Part 1

http://www.mediafire.com/?ny3la1tzdaf

In the latest installment from my dust-caked shelves, we start with a 97 german ragga tune that kicks off with a bong rip, then we move into 98 with a very strange experimental french jungle tune made in honor of the crisis in kosovo, then we have ms. nikki c with some 95 hiphop amen ruffness, then my favorite secret squirrel tune which is one hell of atmospheric unfurling, then a groovy 92 hardcore ragga tune by sector 5, then a little more atmospheric 96 jungle to round out part one. don't let the later years deceive you - the amen was alive and well even then.

2_Bob_Soundsystem_-_Bust_Da_Riddim_[2BobSoundz1].mp3
ACGT_-_In_Ze_Beginning_of_Time_[Planet_Generation_Global_Move_(SAS004)].mp3
Nikki_C_-_Flava_[White_Label_(NC001)].mp3
Secret_Squirrel_-_The_Mad_Traveller_[Bogwoppa16].mp3
Sector_5_-_Ragga_Stixman_[PASH12_001].mp3
Two_Plus_One_-_Complex_State_[Section_5_(NGX001)].mp3

Part 2

http://www.mediafire.com/?eywg1eoi32o

For part two we have two early tunes from L Double of Flex Records fame and two of the hardest tunes Subject 13 ever made, on the first release of the label Vibez. For those familiar with Subject 13's later floaty dnb work, you're in for a surprise.

L_Double_-_Love_This_Style_(Smig-Less_Mix!)_[No_Noise5].mp3
L_Double_ft_Smiggy_Ranks_-_Love_This_Style_[No_Noise5].mp3
Subject_13_-_Hip_Hop_Gangsta_[Vibez1].mp3
Subject_13_-_Just_For_You_[Vibez1].mp3

Part 3

http://www.mediafire.com/?ooww5gtgyng

For part three we have a full rip from one of my jungle idols, and the only release from the label Armshouse Crew I've never seen available anywhere. I would say more, but this guy doesn't need any hype.

Lennie De Ice - Breaking New Ground EP - Armshouse Crew 002

A1-Lennie_De_Ice_-_No_Time_[ArmshouseCrew002].mp3
A2-Lennie_De_Ice_-_Make_A_Difference_[ArmshouseCrew002].mp3
B1-Lennie_De_Ice_-_Stratosphere_[ArmshouseCrew002].mp3
B2-Lennie_De_Ice_-_Can't_Be_Bargained_With!!_[ArmshouseCrew002].mp3

Stay tuned...another huge batch to come in a day or two.

February 2009 Rips

2009-02-06T12:45:00.000-08:00

Time for another round from my vaults. First up, two of my favorite ragga tunes, 19 Funky 5 on the label Sub & Bleep, and Party AK47 by G-Flex & the Bandit on SOUR, a tune which is largely responsible for me becoming as interested as I am in jungle today. For years it was my favorite jungle tune, and had I never heard T-Power's Amber, it probably still would be. Then we have another full rip from the label Goops which produced three very solid dirty style jungle eps. Bit of rare groove sampled in there too. I wouldn't mind hearing a mix of all three releases start to finish if anyone is so inclined. After that we have Justice's Touch Me, a nice lil diva jungle tune from Flavour Tracks. Then, speaking of diva jungle, we have, in my personal opinion, the finest remix of NRG's infamous Need Your Lovin, this one gutted and put back together by new skool talent Operator. Scoot backwards about 10 years, but stay on the left side of the pond, and we have another US jungle showcase, this time Jamie Myerson under the pseudonym PEP with a floater and an atmospheric amen choon worked up for UK label Quayside. Return to Flavour Tracks, another label with three solid releases (I would guess run by Justice), with two mixes of Sy-Uss & Reality's Tribal Instinct. Then, to end the aural orgasm, we have two very special items on the dessert menu: my preferred version of Ibiza records 50 (there were two different records released under this catalogue number), this one stamped Mirror Mirror on the label, and an ode to all the pirate radio badmen from the dutty London underground, a tune every self-respecting junglist should have in their library of vinyl, Pirates on the label Metamorphosis. 14 tunes to warm your ears from a cold February New York City Friday. Hope you enjoy.

http://rapidshare.com/files/194768914/Tykal_s_Vinyl_Rips_Feb_2008.zip.html

mirror: http://www.megaupload.com/?d=0MGBA0SX

Bigga_Tee_-_19_Funky_5_(Vocal_Mix)_[Sub&Bleep1].mp3
G-Flex_&_The_Bandit_-_PartyAK47_[SOUR11].mp3
Goops_-_Give_The_Drummer_Some_More_[Goops].mp3
Goops_-_Got_To_Know_[Goops].mp3
Goops_-_Jungle_Tommy_[Goops3].mp3
Goops_-_Keep_Away_Girls_[Goops].mp3
Justice_-_Touch_Me_[Flavour_Tracks1].mp3
Operator_-_Need_Your_Lovin_Remix_[White_Label].mp3
PEP_(Jamie_Myerson)_-_Heart_&_Soul_[Quayside17].mp3
PEP_(Jamie_Myerson)_-_So_Right_[Quayside17].mp3
Sy-Uss_&_Reality_-_Tribal_Instinct_(Justice's_Mix)_[Flavour_Tracks2].mp3
Sy-Uss_&_Reality_-_Tribal_Instinct_[Flavour_Tracks2].mp3
Unknown_-_Mirror_Mirror_[Ibiza50].mp3
Unknown_-_Pirates_[Metamorphosis9].mp3

This is Jungle Sky Volume 2

2008-12-31T08:55:00.000-08:00

At the risk of dating myself, and in particular, my involvement in the music, one of the first handful of jungle albums I bought was Jungle Sky Volume 6. This was 1999 and jungle, at least in the sounds that most of us apply to that term, was pretty far gone to the grave by then. (It maintained some semblance of a pulse throughout the drum n bass wasteland of the later 90s and early 2000s, and has since rearisen with a vengeance, but that's a topic for another discussion). This is a starting point that I'm thankful for, because while it wasn't strictly jungle in the oldskool 94/95 sense of the word, it did incorporate oldskool elements along with a heavy dose of hip-hop and funk, and coming from a predominately hip-hop background, that's one of the hooks that drew me in the most.

Now that I think of it, a friend had lent me Jungle Sky Volume 5 in 1998 to play in my dorm room, so that would've been my true introduction to the label.

I then moved back to New York in the fall of 2000 (I had been here earlier, but again, another story). Not long after, I began to frequent various vinyl shops in the area, including the last location of the infamous Liquid Sky store on St. Mark's Place. The warmth with which the workers in that store and, come to find out, the man behind the myth, treated me, is one of oustanding acts of human friendliness that I've had the good fortune to encounter. On my 2nd or 3rd visit to the store, one of the employees invited me and my girlfriend to join them as VIPs at their show that evening at the Limelight, where Soul Slinger and company, complete with a live band to accompany their dj/mc trickery, proceeded to put on one of the most memorable performances of my life.

From that point onward, I was hooked.

A month or so down the road, I picked up a tape at the store of Jungle Sky Volume 2. Upon first listen I knew this was the sound I was looking for. It resembled the one jungle CD I had that impressed me the most (DJ Hype's Drum & Bass Selection Vol 3), but had enough of an experimental tilt to it to intrigue me into considering alternate possibilities of the music.

A little over eight years later, jungle has become the foremost obsession in my life (literature, its only rival, I would qualify as my passion), and without intending conceit, I think I can reasonably say I've listened to more jungle than most junglists have in twice that time.

This remains one of my top 5 albums, and something I thought would be a great soundtrack to help usher in the new year, a year in which I plan to launch my second label and make more of my own contributions to many of the libraries of vinyl housed around the world.

I hope this also gives some insight into the development of jungle in the USA at the time it was reaching its peak across the pond.

Although, I must note here, I feel the label has as much of an international base as an American one, or an American one in the bi-continental sense of the word, not the country sense, its founder being Brazilian and its artists having varied backgrounds.

To give you a bit of history, from what I can gather Jungle Sky was formed somewhere between 1993/1994 (its parent company, Liquid Sky, having been formed a year earlier) in association with S.O.U.R., who toured the US and played a party in NYC hosted by Liquid Sky.

Its first release was in 1994,

http://www.discogs.com/release/770283

and the majority of its most popular releases date to the years 1995/1996.

http://www.discogs.com/label/Jungle+Sky

The store closed after the September 11th attacks and relocated to its homeland, Brasil.

A chapter of my life came to an end then, but the appreciation of the music continues to ripen with age.

I could say much more, but I figure I've taken up enough of your time with my ramblings already, and that you really just want the music, so with no further ado, here's a fresh 320 rip from CD.

Tracklisting:

01 The Inna Most - Now & Here
02 DJ Soul Slinger - Zulu Music
03 Time Line - Part of Life
04 Rock Stone Foundation - Dis Soun' (187 Jungle Dub)
05 Kingsize - Down In The Underground
06 DJ Soul Slinger - Africa
07 DJ Ani & Beau - Celestial Vibes
08 DJ Soul Slinger - Musical Selection (The River of Action Remix)
09 Marshall H - One Love (I Feel It)
10 DJ Odi - Anthem
11 DJ Wally - Mustard Plaster

(btw, an all Jungle Sky mix is in the works)

Cult

2008-12-24T07:49:00.000-08:00

First up today, we have three releases from a little known label named Cult. There's virtually no information I could find on the records themselves or on the internet, but my guess would be that this is a Germany based label and that the records were released somewhere between 1993 and 1995. I make that guess based on having found the record in German shops, one of the sellers of which claimed to have had the record in stock since it was released. Also based on the style: there's a mixture of breakbeat hardcore, happy hardcore, jungle, dnb, gabber/industrial hardcore, and a style which, frankly, I don't know how to classify. They also seem a bit faster than most of the hardcore/jungle that was coming out of the United Kingdom at the time, and considering that industrial music had a larger influence in Europe in those days, I'm led to believe the conjecture might be correct. There were three releases that I know of, each with the same design on the label, although a different color, and each beginning with catalogue number MZN. There may be other releases. I couldn't tell you.

The colors and catalogue numbers are as follows. I can only guess that they were released in order of increasing numerical order, but considering the catalogue numbers are so odd, again I can't be sure.

Black - MZN 3547/3548
Red - MZN 3841/3842
Green - 4049/4050

I can tell you however that I still remember the first time I heard the Red one, my introduction to the label. I was having a conversation on soulseek with Jahba and had to stop just so I could relisten and pay closer attention to what I'd heard. I enjoy both atmospheric and ragga jungle, but it's rare that I find them combined in such a way that they don't seem out of place. This was done perfectly and used a sample I was already familiar with, "Cool down the dancehall" from Andy C's tune. (This is not meant to insinuate that the sample was taken from Andy C's tune but merely to state that the sample is one and the same.)

There seems to have been a problem with some of pressings in that two of mine skip/jump horribly, so I've only recorded one side of the Green release, which does jump, but I liked the tune well enough to listen to it even with the faults. For this reason I include a copy of the Red record that I didn't personally rip as my copy jumps on one side. I imagine a wide variety of people will find tunes they both like and don't like in here, so hopefully at least one of them appeals to you.

The Junglites - Wicked LP - Wicked Soundz

2008-12-22T14:03:00.000-08:00

Once upon a time there was a user on soulseek named BLACKSUPREME. He sent me a message saying he'd downloaded over 10,000 tunes from me and asked for my address, saying he wanted to send me something he thought I should have. A month or two later I received a box of 30 records in the mail, all oldskool hardcore & jungle. One of the gems was the Wicked LP by The Junglites on the Wicked Soundz label. I've only seen it for sale twice since then (this was years ago), and although it's not something I listen to regularly, it's something I thoroughly enjoy each time I do. The production style is dirty, stuff that would fit in the hardcore jungle crossover classification, but you'll know that if you're familiar with any of the 12" singles on the label. This is part 2 of your Christmas present. There are 3 tunes excluded from this rip because something went wrong during the ripping process & I need to redo them. I'll upload those as well asap.

Happy listening.

http://www.discogs.com/release/592969

The Junglites - The Wicked LP - Wicked Soundz

A1 Who De Bombo Clart
A2 Falling
A3 It All Started
B1 Bruksilly (Remix)
B2 Ladies (Remix)
B3 Don't Let It Go To Your Head
C1 Jail House Rave
C2 Sweet Underground
C3 Dangerous
D1 Cold Fresh Air
D2 Computer Love
D3 Voodoo